2019
SYNOPSIS
Book design for (W)archives: Archival Imaginaries, War, and Contemporary Art, edited by Daniela Agostinho, Solveig Gade, Nanna Bonde Thylstrup, and Kristin Veel, with contributions by Daniela Agostinho, Heba Y. Amin, Ariella Azoulay, Svea Braunert, Anthony Downey, Sophie Dyer, Solveig Gade, Cristián Gomez-Moya, Sofie Lebech, Aimée Zito Lema, Kathrin Maurer, Kevin McSorley, Anders Engberg Pedersen, Dima Saber, Oraib Toukan, Sarah Tuck, Louise Wolthers, and Arkadi Zaides. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.
Book block printed in four-colour offset on wood-free, OBA-free uncoated paper (Arena Natural Rough). Bound as a softcover Ota-bind (lay-flat) with french flaps on recycled paper (Favini Remake Sand, containing 25% leather waste).
Set in Hershey–Noailles, a collection of vector fonts developed ca. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory (US Navy), designed to be rendered using vectors on early cathode-ray tube displays. Digitized and expanded by Luuse (2017), under SIL Open Font License 1.1.
EN / 416pp. / 148 × 210mm
2019
SYNOPSIS
Book design for (W)archives: Archival Imaginaries, War, and Contemporary Art, edited by Daniela Agostinho, Solveig Gade, Nanna Bonde Thylstrup, and Kristin Veel, with contributions by Daniela Agostinho, Heba Y. Amin, Ariella Azoulay, Svea Braunert, Anthony Downey, Sophie Dyer, Solveig Gade, Cristián Gomez-Moya, Sofie Lebech, Aimée Zito Lema, Kathrin Maurer, Kevin McSorley, Anders Engberg Pedersen, Dima Saber, Oraib Toukan, Sarah Tuck, Louise Wolthers, and Arkadi Zaides. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.
Book block printed in four-colour offset on wood-free, OBA-free uncoated paper (Arena Natural Rough). Bound as a softcover Ota-bind (lay-flat) with french flaps on recycled paper (Favini Remake Sand, containing 25% leather waste).
Set in Hershey–Noailles, a collection of vector fonts developed ca. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory (US Navy), designed to be rendered using vectors on early cathode-ray tube displays. Digitized and expanded by Luuse (2017), under SIL Open Font License 1.1.
EN / 416pp. / 148 × 210mm