2020
SYNOPSIS
Book design for Aerocene Foundation’s and Studio Tomás Saraceno’s Aerocene. Movements for the Air. Munich Landing, a publication that contains the embedded energies of the Aerocene Festival 2019 collectivities and their respective speculations for zero-carbon futures, as it took place in Munich, September 2019. Project funded by the Aerocene Foundation, Studio Tomás Saraceno and City of Munich, Department of Arts and Culture. Published by Aerocene Foundation.
Book block printed in five-colour offset on recycled paper (Oikos). Bound as a softcover with cold glue and exposed spine. Wrapped in a fold-out two-sided poster that doubles up as dustjacket.
Set in Cotham Sans by Sebastien Sanfilippo (2016), Happy Times at the IKOB Italic by Lucas Le Bihan (2018), and Office Code Pro D by Nathan Rutzky (2015), all under SIL Open Font License 1.1.
EN, DE / 232pp. / 164 × 235mm
Photos: Studio Tomás Saraceno
2020
SYNOPSIS
Book design for Aerocene Foundation’s and Studio Tomás Saraceno’s Aerocene. Movements for the Air. Munich Landing, a publication that contains the embedded energies of the Aerocene Festival 2019 collectivities and their respective speculations for zero-carbon futures, as it took place in Munich, September 2019. Project funded by the Aerocene Foundation, Studio Tomás Saraceno and City of Munich, Department of Arts and Culture. Published by Aerocene Foundation.
Book block printed in five-colour offset on recycled paper (Oikos). Bound as a softcover with cold glue and exposed spine. Wrapped in a fold-out two-sided poster that doubles up as dustjacket.
Set in Cotham Sans by Sebastien Sanfilippo (2016), Happy Times at the IKOB Italic by Lucas Le Bihan (2018), and Office Code Pro D by Nathan Rutzky (2015), all under SIL Open Font License 1.1.
EN, DE / 232pp. / 164 × 235mm
Photos: Studio Tomás Saraceno